Ok, so reviewing drone/ambiance/noise may seem like a tall order (and, in many ways, it teeters up there) – but there are definitely releases that are exceptional (this one, for example) and releases that are less so. This type of sound design is all about how it makes the listener feel, and that also depends on the structural and psychological components of the listener. On this release from Chicago-based artist FÉRINA, I find a sonic stream that sits exceedingly well in my, albeit unique, bonce.
Across 5 tracks, and a 45 minute run length, ‘Contemporary Rust’ utilises dark drone, brooding ambiance, sound design and warping – as well as potentially some ‘plunderphonics’ (possibly? probably?). The latter are often recognisable and unlicenced sound clips and samples where there has been no agreement to their use. I have no idea if that is the case, and don’t really care. At least I learnt a new word.
Projects such as this eek into my inner core, ground me and jointly caress my Buddhist ways as well as my relatively nihilistic outlook. It all started for me with William Basinski’s now-illustrious ‘The Disintegration Loops’, and has led me down a path of ‘following’ the more dismal trajectory of drone. It’s a fairly lonely path – but that’s exactly how it is meant to be.
‘Contempory Rust’ has the ability, particularly in opener ‘OXIDISE’, within the futuristic splendour of ‘PALLOR’ and within the white-noise infused departure of ‘GATES’, to make you feel like it’s just you and the sound. Nothing else exists. This is deep, ingrained, isolationist and transient. It certainly will not be for everyone – but, if your brain works in a certain way, you may just find it’s for you.
Best Paired With: Nothing.
Reviewed by Jaff.
FÉRINA – CONTEMPORARY RUST is out now on VAGABOND.
Leave a Reply